Tuesday, November 30, 2004

Radical Honesty

Matthew sits on a bus stop bench eating a sandwich. Roger, a stranger, approaches.


R Do you mind?

M Oh, I’m sorry.

R No, do you mind if I sit here?

M Oh. No.

R Well okay then.

M But you must know that I’m a loud chewer.

R Excuse me?

M That’s what I thought you were saying before, when you said ‘Do you mind?’…I thought you were bothered by my chewing.

R Not at all, I was only making sure it was okay if I sat next to you. You didn’t have to scoot to the end either, there was enough room. I don’t--

M You don’t bite! I know.

R Well, I was going to say that I don’t even hear your chewing. But, that’s right, I don’t bite either.

(Silence)

Anyway, you should know that I have a bad habit of slurping with my straw as I’m finishing a drink.

M Well, who doesn’t?..It’s especially bad with shakes or smoothies.

R You’re right. I own a coffee shop over on Belmont. We have all kinds of smoothies and whatnot; and you’re right, they’re extra prone to slurping. We had to shut the shop down for a week once, we had a problem with mice. The health department shut us down till it was taken care of.

M I love mice. Pet mice, that is. Pet mice and wild mice are two completely different things, you know?

R Really?

M Yeah. I got my bachelor’s degree in psychology. I did a big research project using mice. Pet mice have actually been bred to be more docile. Wild mice are very quick. And dirty too. Anyway, the project wasn’t about the differences between tame and wild mice, it was actually a complicated study on sleep patterns and stress. As a matter of fact, it was published in a very prestigious psychology journal.

R That’s very impressive.

M Yeah. I never told anyone this, but I paid this Asian girl to write it. I mean, I gathered all the information…but I’m not really that good at putting things into words. The Asian girl never got any credit for it either. They tend to be a docile people by nature. Maybe they were bred that way too. More docile.

R I had some poetry published once. It’s in this book of collected poems written by former meth addicts. I’ve been clean for almost seven years now, but I had my days.

M Wow. Well, congratulations. About the seven year sobriety…and the poetry, not the…other…part.

R Yeah. Thanks.

M I used to abuse prescription pain medication when I was a teenager. So I understand the whole addiction thing. I’m sure it’s nothing like crystal meth, but I can imagine.

(Silence)

One time I broke into an ex-lover’s apartment and lit his bed on fire.

R Did it burn the place down?

M No, the neighbors smelled the smoke and were able to smother the fire before it spread too much. But it burned a lot of his pictures and his stamp collection in his night-stand. I used to be a cub scout. I won an award when I was little for being the head of my troop. I’m a natural born leader.

R I tend to be the submissive one usually. But secretly I’m planning how I can silently dominate the other person. I’m very crafty about it. I graduated top of my class in college by being the sly, quiet one.

M Top of your class? Very good. Did you give a speech?

R The administration thought I had social anxiety, so they let the class motor mouth give a speech. It wasn’t very good. I think I was also top of my class because I slept with three of my most difficult professors.

M That’ll do it. I’m sure you’re very intelligent too, though. I can sense it. I’m very intuitive that way. I can usually tell what kind of person someone is just by having a two or three minute conversation with them. I’ve also failed miserably and been molested by my scout leader. I was also molested by a priest; but, seriously, who hasn’t been? I wonder if that’s what made me gay.

R I doubt it. I think it’s biological. I’ve known for as long as I can remember, and I’ve never been molested by a priest. Or a scout leader. Or anyone really. But still, you can’t ever really trust anyone. Once I made my neighbor’s dog trust me, then I fed it rat poison.

M Did it bark a lot?

R Not really. I just went a little overboard with the power. Dog’s are so trusting. It’s kind of sad. I felt bad afterward, but I never actually worked up enough guts to tell them that it was me who killed their dog.

M Probably better. People don’t really understand things like that. I can sense that you’re not a malicious person by nature though. But, again, I’ve been wrong.

R I used to think I was never wrong. That my brain actually had a system that was better than average, that my logic superseded most. I still occasionally think like that.

M My mother used to slap me in the mouth with a hairbrush when I acted too confident. But that would be a nice way to think. That you were always right, no matter what. Would you like the rest of my sandwich, I don’t think I’m going to eat the rest.

R Well, if you’re not going to finish it. I hate to waste things.

M Me too. That’s why I offered.

R Well, here comes the bus.

M Would you possibly like to sit next to me on the bus? There are a lot of deranged lunatics on the bus, so I was just thinking…

R Actually, to be honest, I don’t have to take the bus. I saw you sitting here, and I’ve seen you sitting here before. You just seemed interesting. I thought maybe I’d try to strike up a conversation. And if that didn’t work I was going to take the bus and see where you got off.

M That’s kind of stalkerish.

R I know.

M Okay.

R Well, maybe I’ll see you here tomorrow.

M Same time.

R I’ll be here.

M I’m Matthew.

R Roger.

M Nice to meet you, Roger. I’ll be seeing you.

R Since we’re being honest. (Roger kisses Matthew)

M Since we’re being honest, that was the first kiss I’ve had in a year and a half.

R How was it?

M I’ve got to get on the bus.

R Where are you headed?

M Home.

R I could drive you.

M The kiss was very, very…good.

R My car is over in that parking lot.

Sunday, November 28, 2004

Migration: A Short Play

Characters
A
B

The characters are nameless to the audience and to each other.

We see the interior, anterior view of a car. A enters SL, quite upset, and gets in the driver’s seat of the car. He starts the car, blasts some ridiculous “rage” music, and races away. All of the motions of the car are portrayed through the actors, lighting, and sound effects; of course, the set piece is stationary and can be represented by something as simple as a couple of chairs or as complex as actual pieces of an automobile. Suddenly B rises out of the back seat and sticks a gun to A’s temple…


B (shouting over the music) Pull over!

A Shit!

B Pull the car over and…get the fuck out!!

A (tries to turn around, but his head is forcibly jerked forward by B) What the hell is--?

B Turn the music down!

A Wha--?

B TURN THE MUSIC OFF!!


(A fumbles to turn the music off, but swerves to avoid heading off the road. Finally B leans forward and shuts it off.)


A Is this some sort of weird sex thing? This is really funny, Timmy--

B (Jams gun into A’s temple, hard) Pull over, now!

A You’re shittin’ me!

B Do what I say, man, or your brains are gonna be splattered on that window real quick!

A (Laughs wildly) Oh, please do! You don’t know what a blessing this is. (Starts to cry) Do us both a favor and pull the trigger--then I don’t have to do it myself! Really, thank you! (B starts to pull the gun away, an expression of ‘this-wasn’t-supposed-to-happen’ on his face.) Thank you so much--hey, good timing! (A prepares himself) What are you waiting for? I’M READY!! HURRY!! Do it, do it , DO I--!!

B Shut the fuck up! What, are you crazy? Jesus, man, just let me out…pull over and let me out right here!!

A You’re not gonna shoot me?! Don’t get my hopes up—(turns to look at B)

B Don’t look at me! Just pull over and we’ll pretend like this never happened. You can go get yourself some help.

A (Sobbing) Oh…just do it. The truth is, I’m too pussy to do it myself. So DO IT!

B I’m jumping!


(As B opens the back door, A speeds up)


A (Laughing maniacally) Oh no, buddy! You’re in this for the ride.

B (Considers risking it) Jesus! (Shuts the door) Slow down, man. (Ironically) We can work through this.

A You don’t shoot me soon, I’m gonna crash and kill us both.

B (Rolls down back window and tosses gun out) There! Gun, out the window—it’s gone. Can’t shoot y--.


(A starts to swerve like he’s going to crash the car)


B (Jumping forward to grab the wheel, ending up in the front seat with A) Shit! Whoa, whoa, whoa, you’re gonna kill us!

A Uh huh.

B (Hits A in the face, and takes complete control of the wheel) What the fuck is wrong with you?!

A (Pause) Long story. (A seems to have gained control)

B (Letting go of the wheel slowly) You okay?

A Nope.

B I mean, did you get rid of your urge to run us into a ditch? Can I let go of the wheel and plan on living?

A I have a lot of crazy urges…I just usually don’t act on them. (Pause. B leans back in passenger seat to catch his breath) Who are you? Why are you in my car?

B I don’t know….Crazy urge…I just usually don’t act on them.

A Why my car? That parking lot was full of cars, most of them a lot nicer than this piece of shit. Did that asshole set you up to this?

B (Reassuring) No one set me up to this—except maybe my wife—it was just random. And your car was the only one I could find that was unlocked. Now, that all cleared up, I’ll just let you get on with your night, okay? Forget this whole thing ever happened.

A Your wife? Oh, are you a gay Republican?

B Hey, you wanna pull over and just let me out here? I’m sorry about all this—

A Uh-uh, we’re Thelma and Louisin’ it now, baby. (Grabs B’s hand, Thelma and Louise style, which B quickly jerks away) Takin’ this highway all the way to Mexico…or Canada, or where ever the hell direction we’re going. You’re my hostage now. I really don’t think I should be alone right now anyway. Do you? Besides, I wanna know why your wife wants me dead. I don’t usually make a habit of dating married men.

B She’s just….She doesn’t know you, I don’t know you. Buddy, I made a mistake. Just let me out here, okay?

A (Not giving up) Oh my God, you are a gay Republican. A closeted, homophobic, married, gay Republican. With a crazy ass wife who has you whipped!

B (After a second) I am not…”whipped”.

A Mmmmm hmmmmmmm.

B I’m not gay either!

A You are a Republican though. I can tell. The gun gave it away.

B Look, that wasn’t even a real gun. Okay? I am really really sorry about this, if you let me out now, I will…compensate you for your…mental anguish. Okay?

A I had a sugar daddy once who said that to me.

B (After a moment) You know how we were talking about “crazy urges”?

A Yeah.

B Well, I’ve been getting them more and more lately. Like, I’ll be at the bank…(Catching himself) Why the fuck am I telling you this?

A Because I’m a fantastic listener—(Underhandedly) plus I’m getting a kick out of it.

B I’ll be at the bank and I’ll see the security cameras, and the snotty little tellers, and the orderly line of drones ahead of me waiting so patiently; and I just want to yell, “Everybody get the fuck down!! I’ve got a gun!” Now I’ve never actually had a gun—until today—but I just get that urge and it takes everything I have to suppress it.

A So you’re a closet criminal too.

B No, there’re all sorts of urges…like when I’m up on the scaffolding at work—I’ll be up there like 50 or 60 feet—and I just get the strongest impulse to take a swan dive into the pavement.

A Okay.

B No, seriously. I’ll sit there and envision it in my head, and I can feel my body right on the brink of jumping over the railing and falling. It’s nothing suicidal or anything (no offense)—but I have to hold onto the railing as tightly as I can because I’m afraid that I actually might do it. That I actually might jump. Isn’t that crazy?

A Oh, everybody gets that impulse when they’re up high. It’s human nature.

B Well, today…I followed through.

A You jumped?

B I gave in to one of my insane impulses. I found that toy gun in the parking lot and had the urge to…do something with it. And when I found your unlocked car—you really should start locking your car—

A (Facetiously) Such sage advice…coming from a crazy man with a gun.

B Anyway, I sat here and waited for you to come out. I was only here for five minutes. (Accusingly) If you would have given me more time I probably would have changed my mind.

A (Pause. A can think of nothing to say) I’m sorry.

B In any case, thanks for listening. It was nice to have somebody listen. I’ll get out now and leave you alone though. (A doesn’t say anything, just keeps on driving) Alright. Why are you so ready to die tonight? Jesus.

A Just a second…first tell me—does your wife know you go to gay bars?

B Huh?

A (Gives B a scrutinizing look.) The bar back there. Neverneverland. The gay bar…

B (Chuckling) Oh my hell. Was that a gay bar?

A (Unconvinced) Yep.


(Silence)


B Hmmph.

A Yeah.

B And that’s why you thought I was…

A Uh-huh.

B Oh, that’s cool. I’ve got gay friends.

A Oh…that’s cool. I’ve got straight friends.

B (Nervous chuckle) So, no luck at the bar tonight, huh?

A Don’t stereotype! I’ve never gone to a bar to get laid!

B I’m sorry. I didn’t mean…

A I use the internet.

B Oh.

A I’m just kidding. Not all gay people cruise for sex, Mr. Sketchball, some of us “out-of-the-closet” types even have morals.., but after tonight I think I may be the only one.

B Why is that?

A I followed my boyfriend—well, ex-boyfriend now…fucker—I followed him to Neverneverland after he told me he was going to see his sister. She’s recovering from a boob job.

B How did you know he was lying?

A He wouldn’t go see her. He was jealous. He wants a nice fat set of tits for himself.

B That’s…cool.

A Jesus, I’m kidding. (A sighs) He’s just been acting really disinterested lately, I haven’t trusted him in a while.

B So he went to a bar…that’s not exactly proof that he’s fucking someone else.

A You obviously don’t know how gay men are. Yeah, he was fucking two someone elses!

B Oh, that son-of-a-bitch!

A And when I ripped his sorry ass away from them…he broke up with me right there—right in front of his slutty little concubines and anyone else who was close enough to hone in on the fag drama of the hour.

B Geez.

A I was just pissed that he didn’t give me the chance to break up with him first! Because I would have!

B I’m sorry, I really am. It’s a shitty thing that people can’t just stay faithful.

A They either can’t keep their dick in their pants, or they’re not willing to admit that it’s been out in the first place.

B What do you mean?

A Weston Woodward.

B Who?

A Whenever he walked across campus there was this wave of wet panties, and I’m sure all the butch jerks that slapped him on the ass in the locker room had naked fantasies about him just like everyone else. Pretty suspicious if you ask me, all the ass slapping that goes on between those athletes. Anyway, in college I used to streak across the football field in the middle of the night when I couldn’t sleep—

B Really?!

A There was a down to it, just like any high, and it would put me to sleep. So, one night I was running across the field, getting my adrenaline rush at like two a.m. and I heard someone (demonstrates whistle) whistling, like at a pretty lady walking down the street. So I drop to the ground—by instinct. And I look up, and there’s Weston Woodward running toward me, ripping his shirt off and undoing his pants with this huge grin on his face. Now in my fantasy, this would have been totally hot; but in reality I almost pissed all over the grass. I thought he was gonna kick my ass. Then he goes, “Hey, bro, mind if I join you?” I couldn’t answer…all I could do was stare at the monster…p-package that he’d unwrapped right there in front of me. Weston Woodward’s…w-wiener like two feet from my face! And, I couldn’t stand up, (indicating) for obvious reasons, or I would have jumped to my feet and ran for my life. But Weston just stood there and smiled. And before I knew it, he had a…b-boner to match…and, well, things just happened.

B Wow, gay people fascinate me. I wish something like that would have happened to me--with Barbara Stimson! That’s like something straight out of porn!

A Uh-huh. But the worst part of it was that afterward he goes, “Now you tell anyone about this and I’ll break both your arms, bro. Cool?” (B chuckles) Yeah, I’m sure you’ve spoken similar words in your time.

B What do you mean?

A Keep playing dumb.

B Look, if you’re trying to imply that I’m a…

A Oh, get over it. I don’t care! So, anyway, Weston Woodward totally ruined everything, I’d just had a romantic evening with the most sought after…p-penis in school; but I couldn’t brag about it! And it wasn’t special. Not to him anyway. He just wanted to get off, anonymously, then pretend like it never happened. And don’t think the same damn thing hasn’t happened with other guys since then—

B Sounds like being gay has its perks!

A God! Nevermind! I can’t believe I just told you that.

B No, I know what you mean. You just want something meaningful. We all do.

A It’s always got to be a secret with you guys, or you decide you “like girls”, or you’re sticking it in some other guy—or two! I don’t know why gay people have the instinct for sex anyway, it’s like left over from when we evolved from straight people. We’re not popping babies out of our asses or anything. There’s absolutely no reason why we should want to have so much sex.

B Human contact.

A Well, I’m just sick of all the drama that comes with it.

B Well, to tell you the truth, the gay lifestyle doesn’t sound that bad when you compare it to being married to a frigid ice queen.

A Whatever, you’re a guy. I’m sure you have no qualms about finding something warm on a lonely night.

B Well, actually, it’s just the opposite. I came home from work early today and caught her in the kitchen with our doctor…playing doctor with the doctor.

A So you know how it feels…kind of.

B It’s not fair, man, you know?. She’s the one who makes me miserable, I’m supposed to be cheating on her.

A Well—

B Her first husband left her for a man, and I know that’s a sensitive subject for her…

A (Chastising) I guess she knows how to pick ‘em..

B …so I told her I was going to the gay bar to make up for all the sexless nights I’ve had in the past four years.

A And I’m sure it was your very first time too.

B Oh, I couldn’t even go in. I couldn’t really have sex with a guy just to avenge my doctor-fucking wife, I just wanted her to suffer from the thought.

A (Speculating) Sure.

B Dude, no offense, but I don’t like dick! (A shudders, B notices and thinks for a moment.) Cock. Schlong! Tallywhacker!!

A Shut up! Why are you saying that?

B Why do you have such a problem with p-p-penis words?

A What do you mean? If someone is yelling them into my f—

B I mean, like a minute ago, when you were telling your little story, you couldn’t say “penis” or “boner” without sounding like Porky Pig.

A Oh, I guess it’s just a superstitious thing I do—like when people knock on wood—

B No pun intended.

A Shut up. I’ve just had such a hard time with…penises in the past—

B Literally…”hard”--

A Slut! Forget it, I don’t want to talk about it anymore.

B Oh, I’m just joking around. You can dish it out, but you can’t take it, huh? So penises have had a traumatic influence on your life. You’re not alone.

A I just don’t ever want to be one of those guys that carries his brain in his pants, you know? So every time the subject comes up I have to stop and check myself to make sure I can still think rationally with the head on my shoulders, and I usually end up stuttering.

B Interesting. Sounds more like an obsessive-compulsive thing than a superstition. Or a little bit of guilt.

A Well, whatever.

B So that’s why you cringed when I said I didn’t like dick?

A I “cringed” because I hate when people use that as a euphemism for being gay. Like that’s all there is to it.

B Well, I’m sorry. I’m “not gay” then, how’s that?

A Well, you wouldn’t like the lifestyle anyway. It’s so…lonely. You know, you’re lucky? I wish I could honestly say that I was sexually attracted to women. I can connect with women perfectly on every level, except for sex. And with men…well, that’s pretty much all it is—sex. There’s not usually an emotional connection. To be honest, I think I feel closer to you than most men I’ve slept with. And it’s usually especially hard for me to connect with straight guys.

B (A little awkwardly) Wow. I’m flattered.

A Don’t act like that. I wasn’t trying to woo you, Juliet…I’m not even attracted to you. I just feel comfortable talking to you for some odd reason. That doesn’t usually happen…I guess we just caught each other at vulnerable moments.

B (Pause.) You’re not attracted to me at all?

A (Pause.) As long as you don’t think I’m lusting after you…I’ll admit that you’re not a bad looking guy.

B Not bad looking, huh?

A Okay, you’re pretty damn attractive…but I can’t think that way about straight guys.

B Am I attractive enough for you to kiss me?

A No!

B Hypothetically.

A …I don’t know…if the situation was right.

B Now?


(Pause.)


A (Looks over at B, small hesitation, then) Fuck you!

B Hey! Don’t get upset…crazy urge. Really crazy urge!

A Crazy urge from your crotch! Haven’t you been listening to anything I’ve been saying?!! I’m sick of being the test drive.

B Yes, I have been listening. And to be honest, that’s why I want to kiss you.

A God, there hasn’t been one car on this road for miles! I wish we’d pass just one car so I’d know that the two of us weren’t the last two people on Earth.

B You’re a genuinely good person, you know that?

A Well, you’re fucked up!

B Don’t. I mean it, I can tell.

A Yeah? Well, I just wish that’s how the people who mattered felt.

B If they don’t realize that, they have no right being your friend.

A Please…honey! Who do you think you are? You live with all the advantages of a straight, white male in America; and then think you can cash in on our bonuses too. It’s not supposed to work that way. You cannot have your cake and eat it too, okay?

B Um, first of all, if I’ve got some cake in front of me, I’m probably gonna eat it. That’s just a stupid saying. And secondly, I’m not gay. Okay? I was just being nice. A guy can’t win, can he? When you’re a fucking homophobe, you’re ostracized; and when you try to be PC with them they throw a bitch fit.

A Shut up! Oh my God.. I know you’re just saying all that nice shit to me because you’re horny, or you want revenge on your wife, or whatever. I’m so damn sick and tired of everyone being so selfish! God! It’s the fact that the human race is so selfish that makes me feel so lonely, not being gay. No one thinks about how other people feel or what other people want. Hell, just a minute ago you were holding a gun to my head just because you “felt like it”! For what? Not for me! Not for your wife! For you! For you and your stupid, fucking “impulses”.

B Just a minute ago you wanted to kill yourself!! (Pause) I stayed in here with you because I didn’t want that to happen--to you. It had nothing to do with me.

A You stayed in here because I wouldn’t let you out. Which was selfish of me. And you only talked to my sorry ass so you wouldn’t have a guilty conscience. Watching the morning news, some story on the suicidal car crash of another nameless fag, thinking, “I guess I probably could have stopped that.” Selfish.


(B leans over and kisses A on the cheek.)


B Stop feeling so sorry for yourself and live a little.


(Pause. A turns his head and plants one on B. THEY kiss passionately for a moment. Then suddenly we hear screeching tires, a horn honking, and see a flash of headlights. A and B jerk apart, and A manages to regain control of the car. BOTH are wide-eyed and jolted.)


A The only other car we’ve passed, and it has to pass when we’re on the wrong side of the road.

B Isn’t that the way it is?


(Uncomfortable silence)


B Man, there’s the sun, coming up already. (A glances at B’s crotch, then realizes he really is talking about the sun. More silence) Look, we can just pretend like that didn’t happen.

A I’ve gotten really good at pretending like nothing’s happened. Not to worry.

B No. It’s not like that. I’m not Weston Woodie—or whatever his name was.

A Woodward.

B It wasn’t sexual for me. Okay?...It was…spiritual.


(Pause. A begins to chuckle.)


A I don’t think I’ve ever heard a straight guy use the word “spiritual”. So “spiritual” it almost killed us. (THEY both laugh)

B I’d forgotten how unpredictable you can be at the wheel.

A Well, I’m sorry I don’t have an eyeball in my ear. But kissing aside—have you ever thought about how vulnerable you are in the passenger seat of a car. Speeding 65 miles per hour down the highway, your life literally in the hands of the driver. One wrong swerve or jerk or…

B Man, you’re starting to freak me out.

A No, listen. Think about how much trust you have in me right now, otherwise the anxiety would drive you crazy. I have so much power. (Chuckles)

B It’s a risk we take all the time, or else we’d never get anywhere.

A Uh oh, I’m starting to get another crazy urge! (A starts swerving and laughing)

B Hey! Cut it out!

A (Laughing) I’m only giving you shit. Keep your panties on.


(We hear a tiny thud, A and B snap their attention toward the ‘windshield’.)


A What was that?

B Sounds like you hit a bug. A big bug. (Squints at the windshield) Pull over really quick, I want to see what it is. It’s still too dark.


(A pulls over and gets a flashlight from under his seat, THEY get out of the car and A shines the light on the windshield.)


B You hit a butterfly!

A (Defensively) I didn’t see it!

B (Takes the flashlight) No, look at it. It’s beautiful. You can’t really appreciate how intricate and…brilliant they are until they’ve got a pin stuck through them--or they’re smashed onto a windshield, I guess.

A Oh, wow. Your sensitive side. (Facetiously unimpressed)

B (Serious) Look.

A (Captivated) Wow, it is really beautiful. (Feels something brush his face. Reacts)

B What?

A I just got attacked by a bat or something!


(B shines the light into the sky. BOTH express amazement.)


A They’re all over! There’s hundreds of them!

B Oh, my God. It must be a butterfly migration.

A (Sarcastically) Oh, my God. You think?

B I wrote a research paper on butterfly migration in college.

A Really?

B Yeah, it’s a pretty incredible phenomenon, actually. A tiny, little butterfly will travel all the way from Canada to Mexico….That’s like something the size of you or me circling the earth like 11 times. It’s pretty crazy when you think about it.

A Jesus. How do they know where to go?

B They’ve got little sun compasses and magnetic compasses and shit.

A Meep, meep, the science geek.

B But I think they mostly run on instinct.

A …Or crazy impulse…right?

B (Chuckles.) I guess.

A Huh. I guess they succeed too.

B Yep, every year.


(THEY watch for a while in silence.)


A I better head home soon. I bet my roommates think I’m dead in a ditch somewhere.

B Yeah, you should. Sounds like you have people that care about you.

A Do you want me to drive you back to the bar or somewhere?

B Nope, I think I’ll just move on from here.

A But we’re in the middle of a desert.

B I’ll figure out something. It’s exciting. I’ll get a fresh, new start—no looking back.

A You’ll need money…here, take this.

B Your credit card?

A You can use it if you promise to pay me back.

B (Doesn’t want to see card) No, no, no. I’ll be fine…thanks though.

A (Stares at B) At least take what cash I have on me…it’s only like fifty-seven bucks. (Holds it out. Pause.)

B Thanks. (Takes it) You know, it really is stupid that they don’t let you people get married.

A I know, right?


(A looks at B. HE turns to get in his car; then stops, turns back around, and approaches B. An embrace somehow happens.)


A Well, that was a nice mixture of cheesy and awkward.

B Good luck.

A You too.


(A turns back around and gets in his car. B waves and starts to walk off stage. A pops back out of the car…)


A Hey! (B turns) I don’t even know your name.

B I know. (Pause. B smiles and exits.)


A is frozen in thought for a moment. Then he gets in his car, turns on his “rage” music from the beginning of the play, realizes it’s inappropriate, changes it to something more suitable, smiles, and drives away.

Fade to Black.

Thursday, November 25, 2004


Incredible Bash poster designed by my best friend, Heidi.


The amazing Bash set designed by Miss Fancy Nancy T. Check out the concept statement in "Directing Concept Statements by Chris Stauffer".


KZK in Iphigenia in Orem pulling mini liquor bottles from the hotel refridgerator.


Nate & Jamie in Gaggle of Saints.


Costumes by CMP


Nate & Jamie's turn to unveil.


Cheyanne in Medea Redux.


The one time she stood up.


Cheyanne bonds with the set.

Monday, November 22, 2004

Chapter 1: Five Strangers & A Cat

I wake up to a web of pale blue chewing gum preventing my eyelashes from actually separating. I peer through the tangle of eyelash and gum to look at the digital clock on my cell phone, which I’ve dislodged from between the mattress and my aching neck. It’s 2:38 in the afternoon, which means I’d gotten a good six hours or so in. I had fallen asleep talking to my mother. With gum in my mouth evidently. I like calling mom when I’m high. It’s sort of a challenge, but not really. She doesn’t have the sensory expertise of most mothers. And, besides, even if she did know I was high, what could she say about it? She’s in no position to tell me what and what not to do in the area of drugs. Well, unless I wanted advice on how to smoke crack or cut heroin.
I snigger at myself and sit up. “Damn!” My hair is stuck to the pillow. After carefully, and not painlessly, pulling the strands of rubbery gum out of my eyelashes; I do the same for my hair. I get out of bed to fetch the jar of peanut butter in my kitchen cupboard. I remember my mom using peanut butter as a remedy for slept-on gum hair when I was a kid. My abs are sore, but I haven’t exercised in a while…it’s probably from getting high last night and then cramming myself with pizza and Little Debbie’s Snackcakes, and my stomach expanding to the point of doing actual muscle damage to my abdomen. I’ve always liked sore muscles. Gives you sort of a sense of accomplishment.
I smile, regardless of the gum in my hair, and begin to scope out the peanut butter jar after not finding it in the cupboard. I scrutinize the shoddy landscape of the kitchen counter. Empty bottles, empty pizza boxes, empty plastic wrappers, and an empty peanut butter jar. I hold it up to find that it’s actually half full of beer…or piss…I sniff it…no, it’s beer. “Of course,” I mutter to myself. Who’s the dumbass who did that? I don’t want to get out the scissors just yet, so I forget about gum and hair for the time being. I sit on the kitchen linoleum and pick the olives and cold greasy pepperoni slices off of a piece of coagulated cheese pizza before eating it out of the box.
Who was at my apartment last night? Just as I ask myself this I hear a rustling from the couch in the adjoining living room. Then I hear some phlegm being sucked from his sinuses to the back of this guy’s throat…ewww, and he’s a swallower. Then a wheezing cough to replenish his sinuses with a fresh batch of audible phlegm. I look up as he ambles to the front door, pulling a frayed pack of cigarettes from the pocket of his vintage cowboy shirt, the kind with the pearl snaps. His name is Ted, or Jed, or something…I don’t remember, so I just smile when he spots me and keep eating my pizza. Did I have sex with him last night? He’s cute, I wouldn’t mind having him on my track record. No, I think I’m just having vague memories of wishful thinking; we didn’t actually do anything.
Who brought the pot? I used to be the kid that “pretended” to smoke pot. Not really inhaling, just sucking a little smoke into my mouth and thinking about how all of these losers, who for some reason or another I had to be accepted by, would smoke the rest of their summer away, and probably a lot of their young lives; then I’d discreetly exhale, making sure no one was watching to see how little smoke I had actually managed to suck into my mouth. Not that I thought I was better than them, I just had certain goals that they didn’t seem interested in. I had ambition for school and a career, and they seemed to have ambition only for sex, pot, and beer.
I’m supposed to go to a job interview today. Some telephone customer service job. The kind of job that you’re able to get right after you graduate from high school. Which seems like a long time ago for me. Which is why I’m deciding to bag the interview and go back to bed.


I snap awake to a mouthful of phlegm. I was dreaming that I was being put to death in a gas chamber with a bunch of other assholes, and we’d discovered that the only way to save ourselves was to breath through our phlegm. It filtered the poison in the gas or something. Anyway, where exactly am I? I’m too disoriented to spit the phlegm out of my mouth, so I just swallow it and have my morning smoker’s cough. I sit up and see evidence of a party that has been over for quite a few hours. Some dude’s apartment. I came last night with Candice. Is she still here? Fuck, my throat is dry! I need a cigarette too.
I stand up and fight the dizziness as the blood rushes to my brain. I spot a kitchen sink, and my throat rejoices. There are no clean glasses though. I remember because I spent half an hour trying to find something to drink beer out of last night. Some bitch kept slapping me in the back of the head every time I drank straight from the keg. Finally I found a jar of peanut butter and emptied it out with my fingers. I need to wash my hands too. I’ll do that after I drink from the faucet. And splash some cold water onto my face. That kitchen sink and its trickle of cold water is becoming the number one goal in my life right now. Damn, I’m so thirsty!
Shit, there’s someone on the kitchen floor. Don’t act startled. Don’t act awkward. This is awkward. I don’t want to talk to this person. I feel like I’ve never seen this person before in my life. In fact, I probably haven’t. He’s pretty fucking homely, I’d probably remember this hopeless individual for being extra bug-eyed and pale. Stop staring. I’m not a social being first thing in the morning. Sacrifice the water.
I guess it’s just straight to the cigarette. I open the front door and step through the blanket of heat. I search my pockets for a lighter or matches. Damn, I left my lighter inside. Along with my wallet and my cell phone. And my keys. Which means I’ll have to eventually go back in there. Do I knock now? Or just walk back in? It’s not my apartment, or even a friend’s apartment..,but I did just spend the night on the couch. I sit down on a concrete step outside, still squinting at the blinding light of mid-afternoon. I take my shirt off, hoping to get a little sun. An unlit cigarette hanging from my dehydrated lips, I pick at the dirty rubber on the edge of my sneaker.
I hear heavy breathing rounding the corner to my right. An older woman, mid-fifties, comes huffing around the building. She’s sort of disheveled and totes a small, brown leather suitcase. She doesn’t look like she’s the smoking type, but you’d be surprised sometimes. “Got a light, ma’am?” She jumps a bit, a mixture of what looks like fright and astonishment that someone has just spoken to her. She stares at me for a moment, and I feel a little embarrassed. What’s the deal? This is my second bug-eyed blank stare and I’ve only been awake for a total of maybe three minutes. I try to swallow, but there’s nothing to swallow and my throat just burns
She drops her suitcase and begins rummaging through the big-ass purse strapped around her shoulder. She forces an embarrassed smile and mutters an apology for her reaction to my politely phrased question. She slathers on a little extra drama, like she expects me to ask her what’s wrong or how she’s doing today. I just keep my lips shut around my cigarette and stare at her. I love staring calmly at people who are fidgeting, it just makes them more nervous. Finally the bitch finds a lighter and tries to light my smoke with her bony, shaking hand. After a few seconds I calmly take the lighter from her, light my Marlboro; take a long, deep drag; and offer the lighter back to her in my open palm. I fake a gracious smile and say, “Thanks,” hoping the tweaky old twat will get out of my face now.
She takes the lighter, still all fidgety, starts to say something a couple times, then mumbles, “Ok…ok…OK.” Accenting each “ok” with a bow of her head, like she’s from fucking China or whatever, even though she seems about as white bred as they fucking come. She picks up her lame little suitcase and continues to trot her way down the sidewalk in her clunky grandma shoes. She glances over her shoulder at me every ten seconds or so, with this look on her face like she expects me to say something. I’m not even up for five minutes and I’m already pissed off. I hope this cigarette lasts a long time. Maybe if I wait here long enough someone will open the door from the inside and I can brush past them to get my stuff.


Oh, heavens to Betsy! I’ve overslept! I must have pushed snooze too many times. 9 too many times to be exact. I tell myself to get it together as I thrust yesterday’s clothing into my suitcase. I wiggle into a grey pleated skirt and a silk blouse that doesn’t really match. It doesn’t matter, there’s no time to dig out the right color. Where’s my purse? Under the comforter. The bedding! I hurriedly make the bed, but make sure there is no trace of me having been there. Roger will be home from work any minute now. I dig my bottle of Diazepam out of my purse and swallow one of the pills dry. Valium. What a vulgar word. Diazepam sounds much more professional.
I hear the front door open. Roger! Already! I’ve really overslept. I very quickly toss my suitcase, my purse, and my shoes out the open window. I take a final scan around the room. Oops-a-daisy. The wrapper from the Snickers I ate earlier. I pick it up and bury it in one of my skirt pockets, adding to the 3 wadded up tissues and a peppermint candy. Ok, I can do this. I’m only 38 years old, and it’s only the 2nd story, no big deal. I hoist my right leg over the windowsill and pull myself up so I’m straddling the wall. Oh, heavens, I hope no one sees this. What a sight I must be. A grown woman, hanging half-way out a second story window, in a mismatched outfit nonetheless. I chuckle at my situation, because what else do you do? I’m stuck for a moment, not knowing the next step to take; then I hear Roger fussing around in the kitchen. I’ve got to do it. I hoist the left side of my body out the window as well and clumsily lower myself down, sliding along the dirty aluminum siding of the apartment building. I’m hanging about 8 feet above the lawn. I can’t believe I’ve actually gotten out the window without injuring myself. Okay, one…two…three—I drop to the grass and my knees buckle. The lawn cushions me as I thump onto my back, and I lay stunned for just a moment. I’m not getting out of that one without a few bruises, but overall I’m still in one piece. My ankles tingle. I stand and promptly gather the little can of mace, the lighter, and the loose change that fell out of my purse when it hit the grass, 37 cents. I squirm my left foot into its shoe and hop over to slip on my right shoe about 4 feet away. I pick up my suitcase and scurry around the building. I can’t believe I cut it that close. I’ll have to be more careful from now on. If Roger would have caught me in there…
What? Oh, heavens, I thought that was Roger. A light? Oh, yes. Oh jeepers, I must look like a mad woman. I better lighten up so he knows I’m not this flustered all the time. Should I explain my mismatched outfit? He called me “ma’am”. I’m not that frumpy, am I? Where’s the lighter? Ok, I’ve got to hurry in case Roger decides to take the garbage out or come check the mail. I wonder if this young man is a friend of Roger’s. Oh, no, wouldn’t that be a disaster? Maybe I should tell him not to mention this encounter to Roger. He doesn’t look like Roger’s type. But then again, when have I ever proven to know cock-a-doodie about Roger’s “type”? Oh, goodness, I better be on my way. Ok, ok,..ok. When’s the next bus? Maybe I’ll just walk all the way down to the Chevron and take the bus from there. That’d probably be smarter. I can get something to eat and straighten myself up a little. I can also change into a more suitable blouse.
Did that young man say something to me? It doesn’t matter. Keep walking. Goodness, it’s hot out. Did I leave anything in Roger’s bedroom? Maybe I should have told that young man the truth. I’m sure he doesn’t even care one way or the other. It’s really none of his business anyway. Okay, I need to get it together.
Oh, no! Oh, heavens to Betsy. Was that cat black? A black cat just crossed my path. Dear, I hate to be superstitious; but I’m sure that’s a sign to be extra cautious today. Okay, just keep avoiding the cracks. Don’t step on any cracks. But don’t look suspicious. You’re just like everyone else. There’s the Chevron. Only another 236 steps.


Awake. Stretch. Hunger.
Bug. Paw. Gone.
Hot. Thirst. Yawn.
Door! Scram.
Smell. Trash. Jump. Scratch.
Bark! Arch. Hiss. Dart.
Shade. Hide.
Hunger. Remember. Bowl. Milk. Food. Walk. Remember.
Woman.
Fence. Jump. Balance. Hop. Land.
Sniff. Caution.
Milk! Lap.
Bang! Pain! Run…Limp. Pain. Burn. Leg. Pain.
Dark. Hide. Pain. Lick. Blood.


Good to be home. The shop was dead today, $162 in eight hours. I can’t believe I made rent this past month. Maybe we should stay open a bit later. That’s when the young people drink coffee--later in the day. Heaven knows why. I don’t know when coffee became an evening social event. My customers now are all stuffy business types, drinking merely because they have to. It could be a nice hot spot for the younger crowd though. Just like the little shop that used to be open 24 hours on the corner of Washington and 34th Street. Maybe that’d be good for me. The younger crowd seems to be a lot more accepting of things. My sex life has been pretty barren since Floyd. I don’t think I’m hip enough for sex. Is that a valid excuse? Look at what I’m wearing. I dress like my father. It’s good that dad is dead. I don’t think he’d approve of my new lifestyle.
Oh, I need to stop worrying. I’m not Linda, for crying out loud.
I laugh a little at that thought and take a deep breath. I open the cupboard and take out a Cup O’ Noodles. I make these every other day and I still have to read the directions. You’d think some things you’d just commit to memory. Fill to line. Ok, and in the microwave for…
Huh? That cat can’t jump into a second story window, can it? What was that noise? I probably shouldn’t leave the window open, stray cat around or not. I put on my oven mitt and grab a spatula, just in case it attacks. I walk to the bedroom door to check out the noise. Today is the day I’m going to get that cat, one way or another. I’ve always hated cats. And it’s not just the allergies, like most people think. There’s something satanic about them. I could never actually say that to anyone. Most people love cats anyway. But there’s just something behind those eyes. Cats know something.
I toss the bedroom door open and prepare to protect myself with the kitchen utensil. Nothing. I scan the room. No sign of an unwanted animal. Must have just been the breeze. I peek under the bed, just in case. Nothing. I cross to the window and close it. Did I leave that open this morning? I look down onto the lawn. Nah, I don’t think a cat could jump this high. I open the window back up a little, just enough for the breeze but not wide enough for a cat. Look at me, with my oven mitt and my spatula in the bedroom ready to take on the neighborhood stray. I’m going nutty. I slide the window back open all the way.
I can smell Linda. And no matter how many times I wash these darn sheets I can’t seem to get her smell out of my bed. Oh well. I guess she’ll always be a part of me. That’s cliché. I feel terrible. It’s not my fault though. It’s the way I was made, and it just took me a little while to realize that I like to have sex with men. More admit than realize, really. It would have ended with Linda soon anyway, she’s been worrying me with the whole Valium thing. I hope she’s found a place to stay though. She’s so stubborn. Stubborn and independent. She always has been.
Anyway, that cat. I go to the closet and grab my .22 caliber handgun from the top shelf. Not a real gun, really. Just looks scary enough to hold an intruder at bay--if I ever had the misfortune of having one in my apartment, that is. I go back into the living room. As I pass the kitchenette, I allow myself to put a hold on the Cup O’ Noodles for just a bit. I open up the French doors and step out onto the balcony. Yep, that little guy downstairs has set out that pie tin full of milk again. He doesn’t realize that if he keeps that up, he’ll never get rid of the darn thing. I’d tell him that, but I don’t want to be the badgering old man from upstairs. Besides, I’ve never even spoken a word to him. And he’s just unattractive enough that he might consider an older fellow like me anyway, so I better not muss up my chances. At least I think he’s gay.
Oh, what luck. Here comes the pussycat now. I raise the sights of the .22 up to eye level and aim at the dish of milk down below. The cat approaches cautiously. Can’t see papa up here though, can you, pussy? I don’t think I want to kill the animal, just wound it so it won’t come back. Yes, that would be inhumane to kill a defenseless animal. Even if it is spawn of Satan. Shhhh. I can’t laugh, it’ll run off. Ok, steady. I aim the gun at the cat’s left rear leg and squeeze the trigger. The cat leaps into the air and let’s out a demonic little moan. It limps around the corner and out of sight. I smile like a naughty child and commend myself on a job well done.
The little guy’s back door opens and the little guy himself steps out. He looks around. He looks sweet, like he just woke up. He’s always so done up when he comes into the coffee shop. Should I say something? “Howdy.” Why did I have to say that? Why not just ‘hi’ or ‘how are you today’? Who says ‘howdy’? A cowboy? He looks up at me with a quizzical look on his face. I hide the gun behind my back.
“Was there a cat, or some cats down here just now?”
“Um…nope, not that I seen.” Uh oh. “Saw, not that I saw.” I had to let him know that I do speak correctly, even though he already thinks I’m a massive idiot. Can he tell that I’m lying?
“Oh, weird, I thought I heard a cat fighting. I wanted to come give it a little pizza.” He smiles sheepishly and holds up a piece of pizza that looks to be about five days old. He’s actually quite cute, in a way.
Should I tell him not to feed the strays anymore? No, I’ve already made an ass of myself. I just grin and say, “Hmmm.” Should I try to continue the conversation? I can’t tell what he wants me to do. I want to go back inside, “Well…I better get back to my cooking.” I take a step backward and give him a little wave.
He stops me with, “You cook? What are you cooking?”
Cup O’ Noodles, my friend! No, I can’t tell him the truth. What a way to start out a relationship though, two lies in a row, right off the bat. No cats, no Cup O’ Noodles. “Oh, um, just some pasta. See you around.” I step inside and shut the doors, a little more loudly than the situation called for. My heart is blaring in my ears. I sit on the floor and lean my head back against the wall. All in all, not a bad first conversation.


I gag on the chewed up wad of greasy cheese and cold tomato sauce making its way down my throat when I see that the pizza box on the floor is now home to dozens of ants. I can handle an ant or two on its own, but ants in bulk make me squeamish. I immediately begin to itch. Everywhere on my body, but mostly in my hair. I rotate my neck and scratch the back of my head with one of my shoulders as a chill runs down my spine. I look at the piece of pizza in my hand and praise the Lord that I can see no ants, not that I examine it thoroughly before I toss it into the trash can. I wash the grease off of my hands, and they both go right to my scalp for a good scratching. Shit, the gum! I pull my fingers from my gooey hair and head to my bedroom for a baseball cap. I just don’t want to worry about it while there’s nothing I can do, so I’ll cover it up in the meantime. I’ll go buy some peanut butter at Albertson’s later.
I find my North Carolina Tar Heels cap. I’m not even sure what sport the Tar Heels play. Josh bought me this hat while we were dating. Now that I think about it, I bet it was so I’d look more ‘butch’ in front of all his straight friends. I toss the cap back into my closet and pick up a turquoise handkerchief to tie around my head.
Oh, the kitty cat! It’s either fighting or having sex. Those are the only two things that make a cat scream like that. Ooooh, I’ll go feed the cats some pizza, otherwise it’ll just go to waste. Those ants aren’t going to finish it off. I jog into the kitchen, prepare myself for the sight of hungry ants, and open up the box. I take one of the pieces that the ants haven’t gotten to yet, trying to ignore my itchy scalp, and head for the back door. I open it a crack and peek out. No sign of the kitty cat. Maybe it heard me open the door and took off. I swing the door open and step out onto the concrete. I look around for the kitty, but it must have fought and fled. I know I heard a cat screech out here just a second ago though. It’ll be back, I’ll just leave the pizza out here.
“Howdy.”
Huh? I look up and see the coffee shop guy that lives above me standing on his balcony. He seems startled when I look up at him, even though he’s the one that said, ‘howdy’.
“Was there a cat, or some cats down here just now?” He must have heard them fighting too and came out to see what was going on.
“Um, nope, not that I seen. Saw, not that I saw.”
What is he talking about? See-saw? “Oh, weird, I thought I heard a cat fighting.” Oh, now I look like a dumbass with this waxy piece of pizza in my hands. “I wanted to come give it a little pizza.” I hold it up and make myself look even more stupid. I don’t think he recognizes me from the coffee shop. I go in there at least once a week. I think he’s flirted with me in there before. He probably has lots of customers though. I guess it’s his job to be friendly when he’s there, he looks kind of uncomfortable right now.
“Well…I better get back to my cooking.”
He starts to go back inside, but he doesn’t look like he really wants to. Is he nervous because he thinks I’m cute? Yeah, fat chance. He’s pretty attractive for an older guy, but I think he’s married…to that kooky lady with all the bad silk blouses. I’ll try my luck, “You cook? What are you cooking?” Oh, man, that was a lame line. ‘You cook?’ Like that’s something fancy and I’m so impressed. I don’t cook, but still…
“Oh, um, just some pasta. See you around.”
Nope, I guess he wasn’t flirting with me at the coffee shop. Could he have been any less interested just now? I probably made him uncomfortable because he knows I’m gay, and he thought I was trying to pick up on him. God, I hate that. No. I don’t think I said anything too palpable. Oh, well. I set the pizza down by the bowl of milk that I put out last night when I was high. I think I even drank from it. On all fours, lapping it up with my tongue. Maybe the guy upstairs saw me do that, and that’s why he acted like he was afraid of me just now.
I go back inside. I sit on the couch and immediately notice that Jed, or Ned, left his belongings here. Cell phone, cigarette lighter, keys, wallet…I open it up. Ah, it’s Jed. Jed Nobleman. And what a noble man he is, spending the night on this couch. It always makes my ass quiver a little just to sit on it. God only knows what’s underneath these cushions, and I don’t dare to find out. That’s probably where the ants came from in the first place. Sick! I’m creeping myself out. I stand up and scratch my head through the handkerchief.
So I guess that means Mr. Nobleman will be back to get his stuff. How far could he have gotten? Maybe I’ll go chase him down and hand deliver all this stuff myself. I pick up the wallet, the keys, the cell phone, and the cigarette lighter and walk to the front door. I open it and see Jed sitting on the steps, smoking a cigarette. Maybe I should have brought him a piece of pizza too. And a bowl of milk. I laugh at the thought of cute men rubbing up against me just for feeding them and giving them milk. That’d be nice, just go to the bar with my pockets full of kipper snacks and I’d have my pick.
Jed snaps around and quickly says, “Don’t shut that door, dude, my stuff’s in there.” I hold up his stuff, not meaning to make him feel stupid, but I think that’s how he took it. “What the fuck are you laughing at anyway?” he says as he turns back around and takes a drag from his cigarette.
“Nothing,” that’s all I could say. I didn’t want to mumble out some excuse, I’m kind of intimidated by this guy. I hand him his stuff, kind of clumsily, and turn around to go back inside.
“Hey, dude. This your place?”
I turn around quickly, and a little too attentively blurt out, “Yep, uh-huh, it is.”
He stares at me calmly, like I’m a crack addict and he’s a shrink. Damn, I’m a dork. “Alright,” he says, with a cynical ‘you’re-crazy-kid’ tone in his voice, “I just wanted to know if my girlfriend is still in there.”
Of course I’m intimidated by him, he’s straight. Oh, that’s right, he came with Candice. God bless the girl, but she tends to date real assholes. I think she’s a bit of a masochist. “I think Candice left a little earlier. She came in and told me good-bye at like noon.”
“Fuck! What the fuck did she just leave me here for? I don’t have a fucking vehicle, she was my fucking ride!”
I don’t know how to respond to that, so I just give him an oversympathetic look and shrug my shoulders. When people say ‘fuck’ more than once in a single statement, they’re either a really pissed off individual or just white trash. And I don’t really want to be standing here, alone, with either one.
“I need a drink of water.” He stands up and flicks his cigarette into the grass.
“Well…you can come in,” I tell him as he’s already brushing past me and into the apartment. “There aren’t any clean c--”
“Whatever, I’ll just drink from the faucet.”
“Cool.” I shut the door and my anxiety floods in. Candice is going to get it! What am I going to do with this pissed off, straight guy stranded at my apartment? I run to my bedroom to get the Tar Heels cap from my closet.


I trace the tattoo winding around my bicep with my pinky, then take another long drag from my cigarette. I need to get my load off, but I can’t jack off sitting here by the sidewalk. Maybe Candice is inside and she’ll let me do her. I’ve got a shitty fucking hangover. I press on my temples with my thumbs and try to block out all the noise of the day. The occasional car roaring by, fucking kids down the street and their high pitched screams, cat screeching on the other side of the building; all of it is intruding my brain, which is already being baked by this heat.
I take another smoke from the pack and light it using the cherry from the end of the last one before I flip it into the grass. I’m not a chain smoker, but I’m not ready to get up and knock on this stranger’s door. I start to count how many of the chicks in the passing cars I’d fuck. Definitely not the old dyke in the pickup…not the fat chick in the convertible…that’s a dude, and he’s old and bald anyway. God, the people in this town are so fucking ugly. Oh, this one’s got three kids in the back, but she’s still pretty hot. I’d do her. So that’s one. One out of what? Four. Not too bad. I start to discreetly rub my dick through my jeans and take another drag from my smoke.
What am I going to do today? Hell, it’s going to be a long one. I really should go to class tomorrow, I think there’s going to be a test. Something I don’t give a shit about, fucking Chris Columbus and the redskins or something lame. I’ll have to read that chapter…I’ll do it before I go to bed tonight. Fucking gen eds. I know I didn’t miss anything today though. I think we were just working on our projects in Drawing I. Mrs. Jeffries wants to fuck me anyway, so I could get away with missing a few more days.
I take a couple more drags. As soon as this cigarette is done, I’ll stand up and get my shit from inside. Then I can wake up Candice and we can go.
I hear the door open behind me and turn around to the bug-eyed ghost boy from inside, laughing. “Don’t shut that door, dude, my stuff’s in there.” He holds up my stuff and makes a face like I’m a dumbfuck and he’s one step ahead of me. Is he laughing at me? He’s by himself. “What the fuck are you laughing at anyway?” Fucking dipshit. I turn around and take a drag. I didn’t need the reject to bring me my stuff. If he thinks I’m not coming in to get my girlfriend and a drink of water, he’s very sadly mistaken.
He hands me my stuff, like I thought he would, and I ask him if this is his place.
He whips around and answers with a mouthful of drool, like I just asked him if he wanted to suck my dick or something.
“Alright.” I can see that he’s squirming. “I just wanted to know if my girlfriend is still in there.” And my eyes say, ‘You better not tell me to stay here while you go and get her, or I’ll pummel your face.’
“I think Candice left a little earlier. She came in and told me good-bye at like noon.”
How the fuck does he know I’m talking about Candice? Pretentious little asshole, first he brings me my stuff like I forgot it on accident, and now he’s gonna start name-dropping. Oh yeah. Candice had to work today at noon. Shit, I forgot. “Fuck! What the fuck did she just leave me here for? I don’t have a fucking vehicle, she was my fucking ride!” I say this for bug boy’s benefit as much as anything. Candice just works down the street. I stand up, toss my cigarette, and head in for a glass of water. Praying mantis man starts to tell me something about not having any cups, but the pretentious little fuck doesn’t realize that I already know that. “Whatever, I’ll just drink from the faucet.”
I splash my face into the running water and slurp some of it into my mouth. I probably shouldn’t bend over in front of this guy, he might get the wrong idea. I look up to see if bug boy is checking out my ass, but he’s gone. Whatever. I drink some more and then turn the faucet off.
I grab my cell phone, scroll down to CANDICE WORK, and hit ‘send’. I go into the bathroom and shut the door for a little privacy.
“Chevron. This is Candice.”
“Candy, why the hell did you just leave me here with this creepy guy?” I’m not as pissed anymore after hearing her voice. She did tell me she had to work today at noon.
“Creepy guy? Honey, that’s Patrick! You met him last night.”
I laugh at her insinuation, “You think I remember last night?”
“Oh, God, Jed. He’s Patrick…from my high school…that I always talk about.”
I don’t give a fuck, really. But I don’t want her to freak out, “Oh, yeah, okay. Is he going to hit on me or anything? He’s a homo, right?”
“Yes, we’ve talked about it before. He’s a cutie, huh?”
Dammit, he looks like a fucking albino bug! She better not be starting up with that bullshit again. “Candice…you better not be starting up with that bullshit again.”
“Jed, cool it. Remember, if you love me…”
I grunt into the phone. I don’t want to lose her, but sometimes she has the craziest demands.
“Oh, you never know. Talk to him a little, I bet you two will get along. I’ll be over there in about fifteen minutes, I’m only working a few hours today.”
I’m pissed, but I don’t want her to know. “Okay…hurry.”
“I gotta go, babe. See you in a bit.” She hangs up.
I set my phone down and undo my pants. I pull down my boxers and take a long, liberating piss. I shake off my dick and scoot in front of the mirror. It always looks bigger from this perspective than looking straight down on it. I start to get a hard on, but then think about the chance of this dude having hidden cameras or double-sided mirrors in his bathroom. The idea actually kind of turns me on a bit, but I zip up and flush the toilet.
I look into my reflection’s eyes. Candice is cool. She’s the longest girlfriend I’ve ever had. I’m going to try this. For her. But just this once! I nod, crack my knuckles, and open the bathroom door.


I think I finally feel myself waking up. I think I only got like an hour and a half of sleep last night. I had to get up so damn early! I was like Night of the Living Dead walking down here this morning. Four cups of bad gas station coffee later though, and I finally feel like I’m perking up a bit.
I just realized that Patrick hasn’t really changed at all since high school! I can’t believe it, he still knows how to throw the best parties. Only now we don’t have to wait for his parents to go out of town, and then worry about not breaking all their shit once they do. His apartment is cute too. Small, but really clean and cute. Typical gay.
It was so sweet how Patrick came out to me when we were in high school. It made me feel special, like I was ‘PC’ enough to handle it. But at the same time I was a little bit wounded at the fact that, even though I was never consciously attracted to Patrick before I knew, he had never had one sexual thought about me. You know, you always figure. Especially when you’re not attracted to them. Not that Patrick is ugly, I think he’s adorable. I hope Jed liked him—
Shit, the phone! “Speak of the devil, I bet it’s Jed.” I pick up the phone professionally, just in case, “Chevron. This is Candice.” I say it with a bit more smile than usual, because I know it’s my honey.
“Candy--” Yep, I was right! Should I tell him I was just thinking about him, or is that cheesy? Cuz I really was. “Why the hell did you just leave me here with this creepy guy?”
“Creepy guy?” What’s he talking about? Oh, God. “Honey, that’s Patrick! You met him last night.” I totally left you there on purpose, you know. Has he raped you up the ass yet, you big idiot? I giggle, hoping he doesn’t notice.
“You think I remember last night?”
He can be such a dufus. “Oh, God, Jed. He’s Patrick…from my high school…that I always talk about.” The one I always say I want you to meet, and you always, ‘Don’t want to meet him if he’s going to hit on you or anything.’
“Oh, yeah, okay. Is he going to hit on me or anything?” Jesus. “He’s a homo, right?”
“Yes, we’ve talked about it before.” I hope he’s being nice to him. “He’s a cutie, huh?”
“Candice…you better not be starting up with that bullshit again.”
I know he’s up for it, because we’ve been talking about it all week. He’s had a chance to prepare. He’s probably freaking out cuz I’m not there. “Jed, cool it. Remember, if you love me…” That always works with him. I know they’ll like each other though. If they just let their guards down. “Oh, you never know. Talk to him a little, I bet you two will get along. I’ll be over there in about fifteen minutes, I’m only working a few hours today.”
Oh! That made me jump. My second customer of the day. I hate that little bell on the door. Ooooh, she looks like a nutjob. Oh, shit, is she shoplifting?
“Okay…hurry.” Damn, I need to get rid of him. “I gotta go, babe. See you in a bit”.
I hang up the phone and think about what you’re supposed to do in a situation like this--when you think someone’s shoplifting, but you’re not sure. I come out from behind the counter. Smiling, trying to not look suspicious—or rather, trying not to look like I know she’s trying to not look suspicious. Oh, my God. Did I just have that thought? I am waking up, and I think I’m still high a little bit.
I take some Gatorade bottles from the display and act like I’m going to put them in the fridge. I swear I saw her stick a couple liter bottles of Coke in that big ugly purse she’s got. I walk up behind her, I can tell she doesn’t know I’m here. Oh, shit, she totally did steal. I saw at least three in there before she put her arm over her bag and walked off. Ummm. I quickly stock the Gatorade bottles into the fridge and keep my eye on her. She’s pricing now. She’s trying to find the cheapest thing in the store so she can pretend like she’s buying stuff to make her look less suspicious. God, lady, I know your type! I work at a fucking gas station. I walk back to the counter.
Sure enough! She wants to buy some gum, huh? Damn, what do I say to her? I’m not 100% sure she stole any Coke, or I’d just call her on it. “That it for you?” Not without insinuation.
She looks around, totally guilty; and nods—too eagerly for such a simple question.
“Twenty nine cents.” Aha! I can tell she just realized that she has to open her purse to get her change out! I got her now. Whatcha gonna do, lady?
“Hmmm, do you have any for cheaper?”
Nice one. God, and I have to continue to act the fool. “Ummm, I don’t think so.” I give a courtesy glance toward the row of gum, pretending to ‘check just to make sure’, even though I know the one she’s got is the cheapest. What’s she gonna say?
“Oh, well,” she’s going to try to get out of it, “I guess I’ll just go without then, hon.” She smiles and sets the gum back on the rack, trying to look motherly. Whatever, lady, I know that shoplifters come in all different shapes and flavors. Shit, if this shows up in the inventory, I’ll get in trouble; but if I call her on it and it’s not there—I could get fired.
“Um, I can probably give you the gum for five cents.” Good one, smart move. Oh, shit, does she know I’m on to her? Bitch runs out, I’m calling the cops. She’s thinking about it.
“Can I use these?” Shit, the lady outsmarted me. They’re communal pennies, what am I supposed to say?
“Ummmm…I guess so.” I can’t believe I just did that. I just need to see inside her purse. “Can I see your ID?”
“For a pack of gum?”
Dammit, she’s going to get away. And with a free pack of gum too! “Oh,” fake embarrassed laugh, “nevermind. I’m so used to selling cigarrettes all day.”
“Ah, yes, I understand.” Damn, this lady is kind of creepy. I bet she’s on Valium. She looks like the type. She hands me the five pennies from the little container that says, ‘TAKE A PENNY’.
“Thank you, hon.” She takes her free gum, and her free Coke, and scurries out. I can’t believe that just took place. Oh well, karma’s a bitch.


5, 4, 3, 2, 1. Darn, I’m good. Right to the front door.
“Now, Linda, you’re going to feel okay about this; because you need to eat lunch much more than the owner of Chevron needs your lousy five bucks.” Which I don’t have anyway. Okay, I’ll just get it done quickly, and try to look inconspicuous. I feel the empty cavity of my stomach—especially after the walk—sucking blindly, like a newborn puppy, eyes sealed shut, searching for its mother’s swollen teet.
I open the door and obviously startle the poor girl behind the counter. Good she’s on the phone. Distracted. Oh, heavens, I’d never be pressured into something like this if I still lived with Roger. Okay, sandwich in the purse. That was quick. I feel like time is leaping forward, much more quickly than normal. As if every beat of my heart is a flash, a leap, ahead. And I’ll need some Coca-Cola for the day too. Is that girl still on the phone? Good. 4 should be enough. I can’t get too greedy. I wonder if I should have chosen Diet—
Oh, darn! She snuck up on me! I impulsively snap my purse shut. I don’t think she saw into my bag, but was that too suspicious how I closed it so quickly. No, she’s only doing her job. Nice girl. Why would she suspect a sweet woman like me of thievery? Alright, I need to not look suspicious. I’ll look for the cheapest thing I can purchase, then at least I’ll look like I came in here for a purpose. A small bag of Dorito’s for 59 cents…a donut for 49 cents…25 cent gum, yes, that’ll do. She doesn’t suspect a thing.
“That it for you?”
I have to pretend like I’m really thinking if that’ll be it. Not a problem, I’ve had my thespian days. I nod confidently.
“29 cents.” 4 cents tax, of course. She’s pretty. Kind of like an old ‘40’s movie star. Jean Harlow or Greta Garbo, only modernized and with less glamour.
Oh, drats. All my money is in my purse. I can’t open it up or she’ll see my booty, or my loot, or whatever they call it these days. I check my skirt pocket for change, even though I know there is none there. Just 3 wadded up tissues, a peppermint candy…oh, and a Snicker’s wrapper. I’ve got to think quickly. “Hmmm, do you have any for cheaper?” Oh, no. I just sounded like a homeless woman. I am a homeless woman. Oh, dear.
“Ummm, I don’t think so.” Of course you don’t, dear girl. I surely hope she doesn’t get in trouble for what’s taking place here.
“Oh, well, I guess I’ll just go without then, hon.” I think that’ll do. I had my purpose for coming in, now it’s proper for me to leave. I won’t have to do this sort of thing much longer, I’ll have a job soon enough. I’m going into town for that purpose alone today.
“Um, I can probably give you the gum for five cents.” Oh, that’s sweet of her. She’s offering me a discount on the gum because she thinks I can’t afford it. What a sweet girl. I still can’t get a nickel unless I reach into my purse. Maybe there’s a nickel on the floor. Oh, what about these pennies here? I’ve seen people use these before.
“Can I use these?” I feel my face flush with embarrassment as I dip my fingers into the shallow little dish and scoop out 5 pennies. What a sweet girl, although I do feel a little bit silly being the charity case. Shall I thank her?
“Can I see your ID?” Uh oh, that’s in my purse too. Wait a minute…why on earth..?
“For a pack of gum?”
“Oh, nevermind. I’m so used to selling cigarrettes all day.”
Oh, the poor girl. She thinks I’m under 19. I haven’t been IDed for years. I guess I’m flattered. She looks tired. “Ah, yes, I understand.” I thought she knew I had stolen goods in my purse for a second, but I think she’s just tired. Probably been here all morning. My heart is pounding in my neck. I take my pack of gum and hustle out of the store. My, that was an awkward situation. I hope I don’t have to resort to that again any time soon.
I wipe my sweaty palms on my skirt and walk the 47 paces to the bus stop bench. I rest my purse, on it’s side, on my lap. I begin to discreetly pull the cellophane off of the sandwich inside. I really need to find a job today. Oh, heavens I forgot to change my blouse! I can’t interview for a job in a blouse that doesn’t match my skirt. Well, I can’t go back into that gas station again, that’s for sure. That’s how you get caught--walking back into a trap like that. What’s happened to my life? I’m a grown woman, for crying out loud! I feel like a scavenger, like that stray cat that crossed my path earlier. The black cat. Well, my luck hasn’t lapsed yet, has it? Everything went pretty well back there. Could have gone a lot worse. I’ve just never had to make it on my own before. I could get help from Roger, but I don’t want to be the weak one. Besides, he doesn’t need me for anything anymore; I don’t want to give him the satisfaction of me needing him still.
I eat my sandwich, pulling bit by bit out of my purse mindfully. It’s good. A little soggy, and maybe a little tasteless. I can certainly prepare a better sandwich myself….I can feel that familiar pressure in the back of my throat, the soft palate swelling to numbness, a mixture between gagging and the smack of sucking on a lemon--the feeling I get right before I cry. I squash the bit of sandwich in my hand, and crumbs spray down my wrist. I’ll never make Roger another sandwich again. My eyes fill up and spill over. I’ve lost the responsibility, and the privilege, of nurturing another human being. I needed him, and he needed me. He depended on me. And now—just like the flick of a switch, lights out, goodnight—he doesn’t need me at all. He doesn’t need me to do his chores, with the attention only a wife could assemble (heaven knows I don’t put that much care into my own errands), he doesn’t need me to repair him at the end of bad days, he doesn’t need me to receive and embellish the pleasure of good days. I wonder if he even misses me at all.
Oh, heavens to Betsy, I’m sure I’m a sight. That makes me cry even worse. Thinking of the sight of me—the shattered, single, old, fat lady. The one whose husband left her for a man. I sob. It feels good to let it out. But I just feel…I just feel—oh, God, I’m so alone!




Chapter 2: Cut Away

     I watch my naked body in the full-length mirror on the back of the bathroom door. What’s it doing lately? The overgrown, matted body hair and the inexcusably pasty white skin can be taken care of; but there are some intrusions of my age that I’m going to have to learn to cope with. When did I acquire all of these new folds and oddly shaped clumps of flesh? What is it that’s turning the muscle in my pecs and thighs into the consistency and appearance of playdough that has been thoroughly rearranged by a drove of three year olds? My scalp is too visible through my thinning, graying hair. There are bags of God-only-knows-what under both eyes and my chin.
     What happened? I was always so careful. I never attended loud concerts, unlike all of those idiots constantly predicting their deafened futures but frequenting arenas packed full of Who fans anyway, yet for some reason my hearing isn’t up to par with what it should be. I never drank too much alcohol or did any hard-core drugs in my youth. I always tried to exercise consistently. I ate my leafy green vegetables and managed to avoid whatever type of cancer people die from in their 30's and 40's, but old age seems to be invading more quickly than I'd prefer.
     It’s like you can’t do enough planning. No matter how cautious or how projected a person’s intentions are, everyone inevitably forfeits to Mother Nature. Well, plastic surgery may divert Her for a while. Cher is a living example of that.    
     I chuckle at myself and it pulls me out of my mirror trance. I’m being too critical of myself. I look fine for my age. ‘For my age.’ That’s the part I don’t want to have to acknowledge. I just want to look good. Good enough for all ages.
     Oh, God. I turn away from the mirror and turn the water on in the shower. I test and adjust it before I get in until it is hot enough to redden skin. Honestly, how much time can I spend planning? Hell, how much time can I spend reminiscing? That seems to be how I occupy the majority of my time anymore. Planning has failed me, now all I have are my memories. Better times, worse times, more innocent and naïve times. I’m constantly trying to remember just for the sake of remembering. Sometimes, especially since I’ve been on my own, I want to be able to just live now and enjoy now. I spend so much time trying not to forget, that I worry I’m not creating new memories. I know that’s silly. After all, I’m creating a potential memory right here and now, aren’t I?
     Well, I guess something momentous probably has to happen in order for it to be committed into long-term memory. One instance of simply standing in the shower, something I do every single day (sometimes twice), is not going to be something I’ll remember for the rest of my life. Unless I make it into something I’ll remember. I begin belting out a chorus of “Try to Remember” from The Fantasticks, I stop halfway through and feel a little embarrassed. What if that kid downstairs can hear me? Anyway, I’ve sung in the shower plenty of times, usually tentatively enough so as not to be overheard by the kid downstairs, and singing a song about trying to remember isn’t necessarily going to create a memory.
     I spot my razor on the edge of the tub, and a little flicker goes off in my brain. Almost like a flashbulb. Now, a picture. That’s something you remember. Even if you don’t remember the actual circumstances surrounding the actual time when a snapshot was taken, you remember the photograph as if it were a real memory. I “remember” getting a red wagon on my second birthday and I “remember” sitting in that wagon with my blankie around my shoulders and crying my little eyes out because Popo, my stuffed beagle, had fallen out of the wagon and onto the floor. In actuality, that particular instance was captured in a photograph, which is sealed away in one of my mother’s photo albums. My memory is of the photograph, and hearing that story every time I looked through the photo album with my mother. I don’t actually remember that instance, just as I don’t remember anything else from my second birthday party that wasn’t captured in a photograph.
     The razor. I’d remember that. Not only would it be momentous, I’d have the consequential scar to remind me, whether I wanted to or not. A scar like a photograph. Although, I have scars that evoke no memory whatsoever. There’s one on my bicep. And there’s a puzzling scar right above my penis, hidden underneath my pubic hair. I noticed it only a few months ago when I broke it off with Linda and shaved off all of my body hair after hearing that was the preference in gay culture. Of course it’s all grown back now. Shaggy or shorn, I don’t seem to have much luck. So why spend the time?
Where would I do it? The wrist comes to mind immediately. But that’s just a cliché, I don’t want to commit suicide. It’d have to be somewhere that people won’t see on a daily basis. I consider my stomach, my foot, and then I finally decide on my inner thigh. Not only is it hidden, it’s also tender and sensitive. It’ll definitely give me something to remember.
     Jesus, am I losing my mind?! Sometimes I do welcome thoughts of going crazy, it might be an adventure. Certainly more exciting than the hum-drum condition of my life right now. I pick up the razor and examine the blue plastic covering. I flip it up exposing the blade. I remove the blade and set the plastic back on the rim of the tub. I notice that I have cut my thumb in the process and blood is running down my hand with the shower stream. Funny how the cut is so fine that it’s painless at first, taking time for the nerves to even notice anything is wrong. I put my foot up on the front corner of the tub, exposing my thigh. I’m a little nervous, but that’s good. That’s why this memory will stick. My senses have been set in motion. My hand with the blade waver just beyond the inside of my thigh. This is silly. I plunge into the flesh and drag toward my scrotum about an inch-and-a-half. The cut is deep, and I definitely feel it, unlike the nick on my thumb. I expected warmth, but instead it feels like ice is forming around the gash. I hold the razor and watch the blood stream down my thigh and disappear into a pink swirl and down the drain.
     I hope I remember this.



Directing Concept Statements by Chris Stauffer

Bash by Neil Labute

“In America there are problems, and those problems are covered by veneers. Sometimes it’s a corporate veneer, sometimes it’s a politically correct veneer. And it bugs [Neil LaBute]. So he writes plays that scratch past the coverings of things.”
--Tim Slover, Mentor to LaBute and Professor at BYU

Bash is a familiar reflection of normalcy, tenaciously tapped at until it is shattered. The characters appear ordinary and mundane at first glance, but once the prosaic “veneer” is destroyed, their matter-of-fact atrocities are revealed.
The Greek titles of the plays suggest tragedies that are universal and timeless. The prevailing layers of soot, grime, and bland, modern mock-ups are stripped away exposing detailed, archaic illustrations of realities that are sometimes difficult to face. The play is set in modern times, but perhaps a twist of classic Greek art could be incorporated into the design scheme to symbolize the retelling of these age-old human transgressions.
In the beginning of each piece, all aspects of design should appear very normal and typical; a picture of the polished, outer selves that we show the world. As the veneers are worn down, the design begins to reveal the unnerving underside of the show. Bash scratches away the shiny surface of the facade, cracks open the angelically white shell of the rotten egg, shatters the polished window of the masked slaughterhouse… John’s tuxedo jacket is removed to reveal a blood-splattered shirt, lights intensify and become more surreal, details in the set of violent Greek art become more evident.
Bash forces you to look inward, to realize your capabilities, to comprehend your own strength and also your own vulnerability. Bash is the hidden, brewing, often unknown, potential within us all. Bash is secrets revealed. Bash is the exploration of the dangers of naiveté. Humanity is so fragile, and each individual mind is on the brink of so many great possibilities and capabilities. There is a fine line between love and hate, philanthropy and wickedness, creation and destruction.
Bash has the power to open an audience’s eyes to the real-life tragedies that occur every day. Gay bashings and kidnappings, the murders of Mathew Shephard and the children of Andrea Yates, these things actually take place and they affect us all. The human propensity toward violence is especially evident on the eve of a war. The daily news is enough to remind us of these brutal realities, but the theatre setting is an opportunity for a small group of individuals to acknowledge these truths, denounce the dreadful, and celebrate our humanity.



Picnic by William Inge

Picnic is a magnet of social conformity. The characters of the play either hold tightly to its strong sense of influence and security, or oppose it like two north poles of separate magnets. Every issue in this play is reliant on how the different characters adhere to or resist the central social mold, and their contentment or conflict with that position.
To create a more visceral image for this metaphor, think of an iron bird and it’s magnetic cage. Each character having their own bird and their own cage; some are metallic parrots vibrantly struggling to escape their binding prisons, while others are submissive sparrows who have succumbed to the overpowering grasp of their domicile.
There are many aspects that could represent this central magnet in the play. In the set, we experience the cagelike pillars of Flo’s porch, Flo’s home being a symbol of comfort in stability. Mrs. Potts’ porch inviting in a more non-conventional way, her home being more of a symbol of deviation from the norm. There should be at least two separate exits/entrances; one being the exit to the picnic, and the other is to the alleyway—or the gateway to blind possibilities. These should also differ in their magnetic appeal as Flo’s and Mrs. Potts’ porches differ.
The costumes should be somewhat uniform, perhaps with color or style, for the conformist characters, displaying their harmony with Flo’s world. While the other characters’ costumes are a bit brighter or wilder, perhaps influencing some of the more naïve characters in time.
The lighting should be limiting at the beginning, and should reveal certain “unseen” aspects of the set as certain characters are “enlightened”. Perhaps lighting could affect the picnic vs. alleyway exits mentioned earlier. I like the image of cage-like shadows in certain areas and at certain times.
All aspects in the design should of course abide by the qualifications of the text. The play is clearly set in or closely around the 1950’s, the script radiates realism, and the show is mainly character driven. Although the design aspects of this production are open to creative interpretation, they should not override the honest heart of the show. Simple, but executed with breathtaking creativity. Conventional, but full of remarkable surprises. A display of the paradox that is “picnic”; a symbol of the social standard, but an excursion from the norm.





Railing It Uptown by Shirley Lauro

Railing It Uptown is a restraining nightmare. A dream where you want to run away, but your legs won’t respond to your wishes; where you want to speak, but the words that emerge are unfamiliar. A feeling of being shackled by invisible chains, of somehow having your basic functions (voice, sight, hearing) manipulated by an unobserved puppeteer. The two characters in this play are both greatly affected by this notion of incompetence to outwardly demonstrate their inner desires.
The set should be constricting. Obstacles should be included, and a sense of imprisonment should be experienced. It is set on a subway, and the tunnel-effect of looking down the train, as opposed to a cross-sectional view, gives the feeling of entrapment; while also conveying a never-ending illusion of infinity. The set should necessitate confinement, therefore forcing the proximity of the characters into intimacy.
The costumes aren’t necessarily limited to black and white. Obviously they should contrast heavily regarding class, attitude, and hygiene.
The lighting can give us a sense of motion, creating the picture of a difficulty of motion on foot. The inability to run—as in a dream. The interior lighting should be harsh and white. Creepy, not in its abundance of shadow, but in the ominous fact that it leaves nowhere to hide.
The sound should be surreal, yet believable. We want to portray the sensations of a dream, but the audience should be able to relate it to waking life as well. The fact that it could be real is what gives it its terror.





27 Wagons Full of Cotton by Tennessee Williams

“And come hither, and I shall light a candle of understanding in thine heart, which shall not be put out…” (2Esdr 14:25)

27 Wagons Full of Cotton is a melting candle. The flame: an incessant hazard to the incendiary fibers of free-floating cotton so abundant in the breeze. The wick: a faithful fodder, fostering the determined flame. The wax: a deliberate countdown to the definitive climax; will the flame suffocate and snuff out, or will it ignite something new? 27 Wagons requires the uninterrupted suspense of the flame, the life-force of the wick, and yet the slowly revealing worth of the wax.
The set is simply a Mississipi porch. There should be areas where the flames of the actors can breath freely and radiate, and there should be areas (specifically the swing) in which the flames are smothered and restricted. The set is the candle holder, or the base for all that is aglow.
The lighting carries the audience through the candle burning process. In scene 1, the lighting impresses us with the waning orange light of evening; which is so similar to that of dawn, or the gasping flame of a newly lit candle. In scene 2, the flame is shining brightly in the form of the scorching afternoon sun. Finally, in scene 3, the haunting moonlight presents the image of the fading blue dud of a dying candle.
The costumes reflect the time period, but also reveal the substance of each character’s individual “candle”. Like the wax of Flora’s candle, her costumes seem to melt away; so by the end of the play she is exposed enough to reveal the marks that have been stamped on her flesh.
Each character has their own flame, and each candle has its own conclusion. How will the licking blaze and dripping wax of one character influence the lives of the others? Which flames feed another, and when is the role of fire extinguisher attempted? Will each flame “suffocate and snuff out, or will it ignite something new?”

“It is better to light one candle than curse the darkness” (Confucius)





The Crucible by Arthur Miller

Crucible:
1. A test of the most decisive kind; a severe trial.
2. A hollow place at the bottom of a furnace, to receive the melted metal.

The Crucible is a mind game involving perspective and beliefs. We see the twisting and tearing of one’s own schema and the serrated pock marks left by the forceful impression of other’s strong judgment. In The Crucible the question of “who is right?” can constantly be posed to an audience. Playing with the audience’s perspective on this matter could be a fresh and intriguing aspect to a production.
In designing costumes, the question of who is good and who is bad could easily be answered for the audience before the play even develops. In a more engaging approach, consider John and Elizabeth Proctor in dark clothing with hints of blood red; while Abigail and Tituba are colorful and cheerful and each bear a cross as a testimony of their faith. Hopefully as the plot develops, the audience’s preconceived perceptions will be twisted, much like “the truth” is twisted in the story.
The lighting can aid in retaining this objective stance. A flash of red or a blink of a gobo can indicate when someone’s sense of “truth” is being influenced by someone else, whether it be in a “good” or a “bad” direction.
The set has the potential to represent the second definition of “crucible” above: A hollow place at the bottom of a furnace. Somewhere that one set of beliefs is under the pressure and persuasion of a fiery opposite.
The objective is to take the audience on an untamed trip; where their instinctual and learned perspectives are contrasted and questioned during a formerly familiar story. They are given a “test of the most decisive kind”, where they must choose between what they see and what they know and believe.

Hedwig & the Angry Inch: A Trio of Triads

Aristophanes’ speech from Plato’s Symposium, the Berlin Wall, and Hedwig & the Angry Inch; who would ever have guessed that this trinity has anything at all in common? Let alone a triad of themes that intertwine to tightly connect these fragments of history. There may be decades, or even centuries, between the philosophical classic, the East German calamity, and the modern theatrical concert; but three universal themes that they each represent are timeless. Reading Plato’s Symposium, it is easy to recognize these three points: 1) absolute power corrupts, 2) freedom requires sacrifice, and 3) mankind’s constant search for their other half. At the library, in search of resources concerning Germany and the Berlin Wall, words such as “power”, “freedom”, and “reunification” jumped off the spines and pages of those books and struck me with complete relevance. Since John Cameron Mitchell and Stephen Trask brilliantly fabricated their off-Broadway production of Hedwig & the Angry Inch to include direct thematic context to both Symposium and Communist East Berlin, the incorporation of the three aforementioned themes was inevitable.
As Hedwig’s mother warns her small child, “Absolute power corrupts” (22). Yet from Hitler to Hedwig, whether causing the devastation of an entire country and populace or just a chain of disjointed relationships, power has corrupted. The people of Aristophanes’ speech in Symposium abused their gods-given power to such an extent that “they made an attack upon…and would have laid hands upon the gods” (Plato 179). This terrible intention brought on their fate. First the gods wanted to “kill them and annihilate the race with thunderbolts”, but that “would be an end of the sacrifices and worship which men offered to them”. Then Zeus said, “Methinks I have a plan which will humble their pride…I will cut them in two and then they will be diminished in strength…”(Plato 179). A comparable power struggle happened in 20th century Berlin, only it was reversed and the Communists were the control gluttons. In June 1961, Krushchev implied that “the Soviet Union was prepared to fight a nuclear war” (Epler 49) which would obviously do away with everything. After Ulbright “gained supreme power in East Germany” (Epler 51) only three months later, he erected the Berlin Wall to stop the flow of escapes by valuable workmen; cutting the city of Berlin in two.
The parallels in these two stories are reflected in Hedwig by the use of allusion and in metaphorical representation using the character of Hedwig. Plato’s Symposium is represented in a “bedtime story that mother once whispered to [Hedwig] in the dark and later retracted” (Mitchell 25) with the song, “The Origin of Love”(26-31). Young Hedwig (then Hansel) took this story of love and “thought of power. The gods were terrified” (32). Hedwig/Hansel wanted the power of having someone love him and didn’t realize the compromises that would need to be made in loving back. When Luther came into the picture and seduced Hansel with Gummy Bears; the candy had “the taste of power” (38) to Hansel, not love. Hansel could taste the power he had over Luther; but Luther, together with thoughts of freedom, are the main reasons Hedwig/Hansel had the operation that would cause so much incompetence for years to come. This brings us to the Berlin Wall comparison, “Hedwig is like that wall, standing before you in the divide between East and West, Slavery and Freedom, Man and Woman…” (Mitchell 15). Hedwig’s sexual defect also put up a “wall”, preventing her from finding her “other half” regardless of the freedom the operation allowed. In Symposium, Aristophanes discusses the joining of man-woman, man-man, and woman-woman; but if Hedwig was neither man nor woman, what was Hedwig’s other half? The “angry inch” is the reason Tommy had such power over Hedwig, which gave Hedwig an excuse for her complete power over her husband, Yitzhak. From the beginning of the show, Hedwig pushes Yitzhak into the shadows, stepping on Yitzhak’s applause with, “There’s really no need” (18). This selfish domination over Yitzhak is used as a precautionary protection for Hedwig’s heart, however that is not the way to connect with your “other half”. Yitzhak, a man who yearns to be a drag queen, is cleverly cast as a woman. What could be a more perfect match for the sexual non-identity that is Hedwig?
Another of Hedwig’s mother’s lessons that Hedwig should have taken to heart is: “to be free, one must give up a little part of oneself” (43). Hedwig suffered this advice literally when freeing herself from East Berlin, but doesn’t give in to the intimate meanings of this theme readily enough. Just like the Soviet Union could not sacrifice their power for the people’s freedom (Yancey 13), Hedwig wasn’t about to give up her power trip for love. When, on their first encounter, Yitzhak (a drag queen by the name of Krystal at the time) asked to come with Hedwig, Hedwig says, “Krystal, to walk away, you gotta leave something behind. I’ll marry you on the condition that a wig never touches your head again” (56). Using her mother’s advice in all the wrong ways, Hedwig gives Yitzhak this ultimatum only because as a drag queen, Yitzhak gave a better performance than Hedwig. Hedwig would not be overshadowed. Hedwig’s ultimatum gave her absolute power in the relationship, and Hedwig gave up nothing for Yitzhak; two directions that don’t lead the way to your “other half”.
Perversion of power is the reason Zeus split us in half in the first place (Plato 179), now we’ve got to indulge in the emotional sacrifices that come with the search for our other half. This is something that Hedwig had experienced unwillingly and unrelentingly, which is why it was so easy to mistreat Yitzhak and take him for granted. Her bond with Tommy was the most painful of Hedwig’s failed relationships, and I found an interesting symbol of that. Hedwig paints “a bold silver cross on [Tommy’s] forehead” (64), which soon becomes the emblem of Tommy Gnosis. In Germany, on the west side of the Berlin Wall “white crosses marked East German escape attempts that had failed” (Yancey 25). Many people risked and even sacrificed their lives to get over, through, under, or around the Berlin Wall; Hedwig must take emotional risks in order break through her “wall”. At the end of the show, Hedwig realizes all of the emotional sacrifices she’s made. “They cut me up into parts/ I gave a piece to my mother/ I gave a piece to my man/ I gave a piece to the rock star/ He took the good stuff and ran” (70). But she ends the show “all sewn up” (70-72).
The split beings of Symposium ended up “longing to grow into one, they were on the point of dying from hunger and self-neglect, because they did not like to do anything apart” (Plato 180). Correspondingly “disgraced and divided, East and West Germans never stopped wanting to become one again” (Yancey 8). Analogously, Hedwig thought to himself, after hearing his mother’s story of “The Origin of Love”, “It is clear that I must find my other half” (31). Hedwig’s first realization of, “No, he was never the one. Never the missing half” (46) about Luther, was on “November 9, 1989. Junction City, Kansas” (46). That same day, “November 9, a Communist spokesperson announced that the Berlin Wall no longer served any purpose and that all travel restrictions were lifted” (Yancey 36). The bitter irony of those two events occurring on the same day, and the fact that Hedwig was “divorced, penniless, a woman”, left her crying, “because I will laugh if I don’t” (46). Although it was the end of Germany’s quest for reunification, Hedwig’s journey still had quite a span. Tommy decided for her that they didn’t fit together. As Hedwig puts it, most of his excursions only ended up to be “the jobs we call blow” (57).
Hedwig finally lets down her façade of power over Yitzhak (unintentionally at first), then sees Yitzhak from a new perspective. “It’s nice over here. Out of the spotlight. You and me…”, then she ruins the moment with, “The German and the Jew. Think of the symmetry. Think of the power.” (68). Yitzhak sees the usual Hedwig leaking back in and spits in her face. Hedwig (as Tommy) finally makes the personal realization that there is “no cosmic lover preassigned” (Trask 74). Hedwig gives Yitzhak a wig, followed by the lyrics, “Know that you’re whole” (75). Hedwig ultimately and benevolently sacrifices her power over Yitzhak for Yitzhak’s freedom. “Hedwig begs Yitzhak’s hand. He grants it and they dance. She releases his hand, setting him free…he exits into the house with the grace of new hope…Hedwig waves goodbye” (78).
Hedwig demonstrates how the corruption of absolute power, sacrifice for freedom, and mankind’s personal search for wholeness are all intertwined. We realize by the end that Hedwig’s mother was a wise woman indeed, but Hedwig had to acquire these lessons as they applied to her own unique life. John Cameron Mitchell and Stephen Trask dig into the resources provided by Symposium and the tragedy of the Berlin Wall, but they learn from history and take their story further. Hedwig’s personal journey goes beyond 1989, and Mitchell and Trask explore options that aren’t realized in Symposium. Overall, this is a brilliant work that portrays three timeless, universal themes, and how they correlate to form one of the basic human necessities; love.